TY - GEN
T1 - Identification of Leading Lines in Artworks Based on Topological Analysis of Saliency Maps
AU - Shibasaki, Fuminori
AU - Fujishiro, Issei
N1 - Publisher Copyright:
© 2025 IEEE.
PY - 2025
Y1 - 2025
N2 - A key compositional technique, leading lines guide the observer's gaze across visual scenes. This study presents a novel approach to the visual analysis of leading lines in artworks by applying discrete Morse theory to saliency maps refined through persistent homology. The saliency map's gradient field is abstracted into a structured representation using the maximum graph, enabling the identification of both explicit and implicit leading lines. To enhance the analysis, texture gradient cues are incorporated to embed depth information into the saliency map. Our visual analysis system also features semiautomatic thresholding and tools to depict the direction of visual guidance. An experimental study with participants from an art university validated the system's feasibility by analyzing various Western paintings. This research contributes to the field of digital and public humanities and computational art analysis by offering an environment in which to explore visual composition.
AB - A key compositional technique, leading lines guide the observer's gaze across visual scenes. This study presents a novel approach to the visual analysis of leading lines in artworks by applying discrete Morse theory to saliency maps refined through persistent homology. The saliency map's gradient field is abstracted into a structured representation using the maximum graph, enabling the identification of both explicit and implicit leading lines. To enhance the analysis, texture gradient cues are incorporated to embed depth information into the saliency map. Our visual analysis system also features semiautomatic thresholding and tools to depict the direction of visual guidance. An experimental study with participants from an art university validated the system's feasibility by analyzing various Western paintings. This research contributes to the field of digital and public humanities and computational art analysis by offering an environment in which to explore visual composition.
KW - digital humanities
KW - leading lines
KW - topological data analysis
KW - Visualization
UR - https://www.scopus.com/pages/publications/105009238066
UR - https://www.scopus.com/inward/citedby.url?scp=105009238066&partnerID=8YFLogxK
U2 - 10.1109/PacificVis64226.2025.00045
DO - 10.1109/PacificVis64226.2025.00045
M3 - Conference contribution
AN - SCOPUS:105009238066
T3 - IEEE Pacific Visualization Symposium
SP - 369
EP - 374
BT - Proceedings - 2025 IEEE 18th Pacific Visualization Conference, PacificVis 2025
PB - IEEE Computer Society
T2 - 18th IEEE Pacific Visualization Conference, PacificVis 2025
Y2 - 22 April 2025 through 25 April 2025
ER -