TY - JOUR
T1 - Cross-cultural work in music cognition
T2 - Challenges, insights, and recommendations
AU - Jacoby, Nori
AU - Margulis, Elizabeth Hellmuth
AU - Clayton, Martin
AU - Hannon, Erin
AU - Honing, Henkjan
AU - Iversen, John
AU - Klein, Tobias Robert
AU - Mehr, Samuel A.
AU - Pearson, Lara
AU - Peretz, Isabelle
AU - Perlman, Marc
AU - Polak, Rainer
AU - Ravignani, Andrea
AU - Savage, Patrick E.
AU - Steingo, Gavin
AU - Stevens, Catherine J.
AU - Trainor, Laurel
AU - Trehub, Sandra
AU - Veal, Michael
AU - Wald-Fuhrmann, Melanie
N1 - Funding Information:
We would like to acknowledge the Max Planck Institute for Empirical Aesthetics and the institute’s directors, Melanie Wald-Fuhrmann and David Poeppel, for generously funding this workshop. Partial support was provided by NSF grant BCS-1734025 to author E. H. M.; a Japan Society for the Promotion of Science grant 19KK0064 and Keio Global Research Institute Startup Grant to authors P. E. S., N. J., and E. H. M.; European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 665501 with the Research Foundation Flanders (FWO), Pegasus2 Marie Curie fellowship 12N5517N to author A. R.; and the Harvard Data Science Initiative to author S. A. M.
Publisher Copyright:
© 2020 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA ALL RIGHTS RESERVED.
PY - 2020/2/1
Y1 - 2020/2/1
N2 - MANY FOUNDATIONAL QUESTIONS IN THE psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of "music" and "culture.".
AB - MANY FOUNDATIONAL QUESTIONS IN THE psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of "music" and "culture.".
KW - Cross-cultural
KW - Ethnomusicology
KW - Methods
KW - Music
KW - Psychology
UR - http://www.scopus.com/inward/record.url?scp=85086789032&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85086789032&partnerID=8YFLogxK
U2 - 10.1525/MP.2020.37.3.185
DO - 10.1525/MP.2020.37.3.185
M3 - Article
AN - SCOPUS:85086789032
SN - 0730-7829
VL - 37
SP - 185
EP - 195
JO - Music Perception
JF - Music Perception
IS - 3
ER -